Twilight series how does it end

But that disinterest bled over to the film adaptations just three years later; was for titles like Cloverfield , The Happening , and Indiana Jones and the Kingdom of the Crystal Skull , films made by Big Cinematic Boys that all contributed to deep-seated trust issues.

Over the next decade, whatever parts of Twilight filtered in was purely through osmosis; you learn the surface details of any major franchise just by existing. You know about the general plot beats and the frenzied, devoted fandom; you're aware the overall sparkliness of it all kind of ruined the vampire genre for a few years there; you've heard Lautner developed roughly new abs to keep his role, and that Robert Pattinson and Kristen Stewart occasionally look like they would have loved to be fired in his place.

But the surface details don't do justice to how genuinely, thrillingly weird Twilight is, both when it means to be and when it doesn't. Twilight demands to be seen in context, because almost every aspect of that context is wonderful and insane. Because now that I've raced through all five films, I get it. I don't know if I "like" it or "hate" it, but I get it. The Twilight films aren't as interested in coherency as they are in manufacturing an aching, yearning feeling in the audience.

Every piece of dialogue from a main character in the Twilight saga is delivered like they are seconds away from violently climaxing or passing out from heat exhaustion. The much-discussed disinterest of Pattinson and Stewart is, as it turns out, exactly how these two characters should be played. Robert Pattinson and Edward Cullen want so badly to show more passion than they are currently allowed to show.

Stewart, meanwhile, is so good at playing a character who wants out of her own skin that people mistook it for genuine awkwardness. The Twilight films move heaven and Earth to ensure these two aggressively weird characters would quite literally die to bang but, for one reason or another, cannot bang for as long as possible.

It's like edging filtered through the lens of Mormonism by way of PG supernatural horror, a description that makes no sense and is also objectively correct. It's very often terrible. Bella Swan eats absolute shit off a motorcycle in New Moon and it's incredibly funny. But equally as often, Twilight is so earnestly confident in its aesthetic that it's endearing. It's beautiful. The series was adapted to the big screen between and , and as it happens with all book adaptations, some details were changed to better fit the format.

Still, the Twilight books and films became a pop culture phenomenon, and boosted the careers of its main stars, Robert Pattinson and Kristen Stewart. While the Twilight film series had a good start, the quality of the sequels gradually decreased, not only visually but also narratively, though the final film had the chance to correct the story They realize they were misinformed and try to instigate a battle, but fail.

Alice and Jasper then bring Nahuel, a year-old half-vampire half-mortal, just like Renesmee, who proves to the Volturi that hybrids pose no threat. The Volturi agree to leave the Cullens alone, though the Cullens and allies know they will return one day. The film, on the other hand, was on its way to fix this ending by actually giving fans a battle between the two teams, until the writers decided to stay true to the source material.

That way, no one can run when the verdict is given. But there we stood, ready, waiting, outnumbering them, with gifts of our own while their gifts were rendered useless by Bella. Aro knew that with Zafrina on our side, they would be the blind ones when the battle commenced. There was even a good possibility that they would lose. Save FB Tweet More.