How old is the group swv

The following decade, SWV got back together -- in -- with plans to record an album, but nothing materialized until they signed a contract with Mass Appeal and issued the set I Missed Us , a smart update of the group's earlier output.

Still , the trio's fifth proper album, was released in AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. All three girls began singing in church at a young age. Brian Alexander Morgan took notice of a demo tape the trio had created. He was one of the main producers responsible for the making of their debut album, It's About Time , released in The album went double platinum within its first year of release.

Their first single, "Right Here", was released in the autumn of In December the group was honored with 11 Billboard Music Award nominations. List of Partners vendors. Mark Edward Nero. Mark Edward Nero is an expert on the soul, gospel, and rhythm and blues music genres who interviewed dozens of artists and appeared in documentaries.

Updated October 15, Featured Video. Mary J. Blige's Top 10 Greatest Hits. Gerald Levert's Ten Greatest Hits. Ortiz had already decided that the label needed a way to break into the girl group revival that was taking place; when he heard SWV, he believed they could do it. As Christian Wright told the story in Vibe, Ortiz thought that "the female strength implicit in many of the smooth, sexy ballads would distinguish SWV from their peers, the seemingly endless blur of girl groups from En Vogue to Express.

Ironically, however, the album's success happened despite the mainstream airwaves and the music press, neither of which took much notice.

But a few radio stations with large black audiences, particularly in St. Louis, Missouri, and Detroit, embraced the single, exposing their listeners to it at every turn.

While airplay mainly on black stations might once have meant a permanent following on the margins, in the early s it meant increasing attention from mainstream pop markets.

SWV came along at a critical moment, when they could benefit from this trend and contribute to it. Skip Miller, an executive in RCA's black music division, elaborated on the label's sense of the group's success; he told McAdams that SWV's output was "indicative of the music we want to make.

We're in the building stage of making music and SWV is our flagship. Wright noted that "Weak" sold 50, copies in one day, ultimately eclipsing both preceding singles and topping the charts. Not surprisingly, the strength of the singles from the debut album carried the group through and He specifically lauded the power of SWV's "hard-eyed, I'm-going-for-mine edge that is so authentically New York it makes females from any other city seem too coy to be taken seriously.

Nothing exemplified this in the SWV repertoire so much as the cut "Downtown," which Vibe's Wright described as "a sexy, forthright confrontation with a black male taboo: oral sex. We're allowed to ask for what we want. And we're allowed to get what we want.